尹炯杰與李堅(jiān)的莫扎特之夜北京站演出信息

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演出名稱(chēng):中國(guó)愛(ài)樂(lè)樂(lè)團(tuán)音樂(lè)季交響音樂(lè)會(huì) 尹炯杰與李堅(jiān)的莫扎特之夜

演出時(shí)間:2024年11月8日  周五  19:30

演出票價(jià):480元、380元、280元、180元、80元

鋼琴：李堅(jiān)

指揮：尹炯杰

演出曲目：

沃爾夫?qū)ぐ數(shù)蠟跛埂つ兀骸短畦沸蚯?/p>

沃爾夫?qū)ぐ數(shù)蠟跛埂つ兀航礒大調(diào)第九鋼琴協(xié)奏曲“熱納米”，作品K. 271

沃爾夫?qū)ぐ數(shù)蠟跛埂つ兀航礏大調(diào)第二鋼琴協(xié)奏曲，作品K. 39

沃爾夫?qū)ぐ數(shù)蠟跛埂つ兀篊小調(diào)第二十四鋼琴協(xié)奏曲，作品K. 491

*具體曲目請(qǐng)以演出當(dāng)天為準(zhǔn)

尹炯杰 指揮

“……尹炯杰具有極高的才華……他富有魅力的指揮、對(duì)于音樂(lè)的無(wú)限熱情、從不懈怠的努力，以及為取得出色結(jié)果的堅(jiān)忍不拔?！薄?尼姆·雅爾維

“他的活力、成熟以及巨大潛力給我留下了尤為深刻的印象?！薄?雅尼克·尼澤-塞岡

“尹炯杰展現(xiàn)了非同尋常的才華和個(gè)性……盡管年輕，他卻能從指揮臺(tái)上傳遞出一種與生俱來(lái)的權(quán)威感?！薄?迪馬·斯洛博德紐克

尹炯杰是當(dāng)今最令人感到興奮的年輕指揮家之一。在2023 年以當(dāng)之無(wú)愧的表現(xiàn)摘得第 11 屆格熱戈日?菲特爾貝格國(guó)際指揮大賽桂冠后，24歲的他嶄露頭角，迅速引起國(guó)際關(guān)注。在上述賽事中，由于對(duì)波蘭音樂(lè)的出色詮釋?zhuān)瑫r(shí)獲得波蘭音樂(lè)出版社PWM頒發(fā)的“最佳波蘭作品詮釋獎(jiǎng)”，以及“喬治·塞姆科夫基金會(huì)特別獎(jiǎng)”和“伊麗莎白·潘德列茨基特別獎(jiǎng)”等多項(xiàng)表彰。

隨后，他首次亮相NFM 弗羅茨瓦夫愛(ài)樂(lè)樂(lè)團(tuán)、波茲南愛(ài)樂(lè)樂(lè)團(tuán)、西里西亞愛(ài)樂(lè)樂(lè)團(tuán)和波蘭波羅的海愛(ài)樂(lè)樂(lè)團(tuán)等，并立刻獲得再次合作的邀約；2024/25樂(lè)季，他將首度登臺(tái)華沙路德維?！し丁へ惗喾覐?fù)活節(jié)音樂(lè)節(jié)，并迎來(lái)與阿圖爾·魯賓斯坦愛(ài)樂(lè)樂(lè)團(tuán)、波德拉謝歌劇院與愛(ài)樂(lè)樂(lè)團(tuán)等多支樂(lè)團(tuán)的首次合作。

在國(guó)內(nèi)，尹炯杰與幾乎所有主要樂(lè)團(tuán)有所合作，包括國(guó)家大劇院管弦樂(lè)團(tuán)、杭州愛(ài)樂(lè)樂(lè)團(tuán)、廈門(mén)愛(ài)樂(lè)樂(lè)團(tuán)等。自2023年9月起，他開(kāi)始擔(dān)任中國(guó)交響樂(lè)團(tuán)助理指揮。2024/25樂(lè)季，除繼續(xù)上述職位并執(zhí)棒中國(guó)交響樂(lè)團(tuán)多場(chǎng)樂(lè)季音樂(lè)會(huì)，他也將迎來(lái)與中國(guó)愛(ài)樂(lè)樂(lè)團(tuán)、上海交響樂(lè)團(tuán)、廣州交響樂(lè)團(tuán)、貴陽(yáng)交響樂(lè)團(tuán)等國(guó)內(nèi)多支重要樂(lè)團(tuán)的首次合作。

此前，尹炯杰曾獲2021年第57屆貝桑松國(guó)際青年指揮大賽“特別提名獎(jiǎng)”（大獎(jiǎng)空缺）；2022年，獲評(píng)為中宣部“藝苑擷英”中國(guó)十大青年指揮之一。2024年7月，他受邀前往愛(ài)沙尼亞參加雅爾維指揮大師班，并在尼姆·雅爾維、帕沃·雅爾維父子創(chuàng)辦的帕爾努音樂(lè)節(jié)上，指揮雅爾維小交響樂(lè)團(tuán)成功演出愛(ài)沙尼亞國(guó)寶級(jí)作曲家阿沃·帕特作品，備受好評(píng)。

尹炯杰曾先后畢業(yè)于中央音樂(lè)學(xué)院附中和中央音樂(lè)學(xué)院，師從指揮家陳琳女士和陳冰女士，目前為中央音樂(lè)學(xué)院研究生在讀。自2024年5月起成為國(guó)際頂級(jí)經(jīng)紀(jì)公司HarrisonParrott伯樂(lè)藝術(shù)全球代理簽約藝術(shù)家。

Jong-Jie Yin
Conductor

“……Jong-Jie Yin is amongst the most talented……h(huán)is charismatic conducting, boundless enthusiasm for music, unremitting efforts, and persistence to achieve great results.”—Neeme J?rvi

“I was very much impressed by his energy, his maturity and his huge potential.”—Yannick Nézet-Séguin

“Jong-Jie demonstrated exceptional talent and personality……Despite his young age, Jong-Jie transmits a very natural authority from the podium.”—Dima Slobodeniouk

One of today’s most exciting young conductors, the 24-year-old Jong-Jie Yin is coming swiftly to international attention after undisputedly winning the 11th Grzegorz Fitelberg International Competition for Conductors in 2023.

A string of debuts have ensued across Europe, including NFM Wroc?aw Philharmonic, Poznań Philharmonic, Silesian Philharmonic and Polish Baltic Philharmonic orchestras, followed by immediate re-invitations. Projected engagements in the 2024/25 season include his debuts at the Ludwig van Beethoven Easter Festival in Warsaw, Arthur Rubinstein Philharmonic, Podlaska Opera and Orchestra, amongst others.

At home, Yin regularly guest conducts almost all the orchestras in China, including NCPA, Hangzhou Philharmonic and Xiamen Philharmonic orchestras, to name a few. He is currently the Assistant Conductor of China National Symphony Orchestra, an appointment he has held since September 2023.

Previously, Yin was one of the recipients of the ‘Mention Spéciale’ (Grand Prize vacant) at the 57th Besan?on International Competition for Young Conductors in 2021.

李堅(jiān)，著名鋼琴家、指揮家、中國(guó)音樂(lè)家協(xié)會(huì)鋼琴學(xué)會(huì)副會(huì)長(zhǎng)、思啟文化《不止空間音樂(lè)季》藝術(shù)總監(jiān)。

李堅(jiān)出生于上海一個(gè)音樂(lè)世家，5歲時(shí)開(kāi)始跟隨其母，著名小提琴家俞麗拿學(xué)習(xí)小提琴，同時(shí)跟隨著名鋼琴家洪騰學(xué)習(xí)鋼琴。得益于家庭環(huán)境的熏陶，名師的指點(diǎn)和自身的天賦，李堅(jiān)很快就在音樂(lè)學(xué)院附中脫穎而出，在各大賽事中頻頻獲獎(jiǎng)。

1981年，年僅16歲的李堅(jiān)作為最年輕的選手參加了在巴黎的瑪格麗特·隆 - 雅克·蒂博國(guó)際鋼琴大賽并榮獲大獎(jiǎng)，改革開(kāi)放以來(lái)中國(guó)在世界古典音樂(lè)舞臺(tái)上的第一次成功亮相，得到了國(guó)內(nèi)外的高度關(guān)注和歐美各大權(quán)威音樂(lè)媒體的爭(zhēng)相報(bào)道。李堅(jiān)也因此獲得了法國(guó)國(guó)家獎(jiǎng)學(xué)金和桑松·弗朗索瓦基金會(huì)的贊助，在巴黎國(guó)立高等音樂(lè)學(xué)院跟隨著名法國(guó)鋼琴教授皮埃爾·桑剛學(xué)習(xí)，還在歐洲贏得了大量的演出機(jī)會(huì)?！栋屠枋澜鐖?bào)》盛贊“他的演奏優(yōu)雅精致且蘊(yùn)含激情，迷人的音色源于無(wú)與倫比的音樂(lè)才華”。由日本TV MAN UNION制作的有關(guān)李堅(jiān)和來(lái)自臺(tái)灣的著名小提琴家林昭亮的紀(jì)錄片獲得了日本1983年度紀(jì)錄片大獎(jiǎng)。

1985年，李堅(jiān)遠(yuǎn)赴美國(guó)柯蒂斯音樂(lè)學(xué)院隨貝多芬第四代傳子霍索夫斯基深造?；羲鞣蛩够沁@樣評(píng)價(jià)這位年輕的才子：“我可以預(yù)見(jiàn)他正在走向一個(gè)鋼琴家的光輝前程”； 鋼琴大師魯?shù)婪颉と麪柦鹪@樣評(píng)價(jià)：“他是一個(gè)十足的技巧大師，對(duì)樂(lè)器的駕馭可謂完美。我感受到一個(gè)真正鋼琴家的品質(zhì)”。對(duì)于李堅(jiān)來(lái)說(shuō)，每一次舞臺(tái)上的演奏都是和作曲家靈魂的對(duì)話(huà)、博弈和祭奠，時(shí)刻準(zhǔn)備進(jìn)入到一種忘我、無(wú)我的巔峰境界。

1987年, 李堅(jiān)以獨(dú)奏家的身份與中國(guó)中央樂(lè)團(tuán)合作，在美國(guó)30個(gè)城市巡演。這位有著超人天賦的年輕鋼琴家以他卓越的技巧和表現(xiàn)力吸引了大眾的注意并受到了著名小提琴大師斯特恩的賞識(shí)?！都~約時(shí)報(bào)》評(píng)論道“青年鋼琴家李堅(jiān)的拉威爾G大調(diào)協(xié)奏曲是東西方文明最璀璨的碰撞，是法國(guó)音樂(lè)在陌生的東方國(guó)度之驚艷倒影”。 每年他都在歐洲、北美洲和亞洲舉辦鋼琴獨(dú)奏音樂(lè)會(huì)并與交響樂(lè)團(tuán)合作。與他合作過(guò)的樂(lè)團(tuán)有: 柏林廣播交響樂(lè)團(tuán)、英國(guó)皇家交響樂(lè)團(tuán)、英國(guó)皇家BBC交響樂(lè)團(tuán)、法國(guó)國(guó)家交響樂(lè)團(tuán)、美國(guó)亞特蘭大交響樂(lè)團(tuán)、香港管弦樂(lè)團(tuán)、新加坡交響樂(lè)團(tuán)、中國(guó)愛(ài)樂(lè)樂(lè)團(tuán)、中國(guó)國(guó)家交響樂(lè)團(tuán)、上海交響樂(lè)團(tuán)、北京交響樂(lè)團(tuán)、廣州交響樂(lè)團(tuán)等等知名樂(lè)團(tuán)。

李堅(jiān)以獨(dú)奏家的身份頻頻出現(xiàn)在美國(guó)紐約的林肯中心-艾弗里·費(fèi)雪音樂(lè)廳和艾麗斯·塔利音樂(lè)廳、卡內(nèi)基演奏廳、華盛頓肯尼迪藝術(shù)中心、芝加哥交響樂(lè)團(tuán)音樂(lè)廳、洛杉磯大使禮堂、維也納金色大廳、巴黎香榭麗舍劇院、東京三得利音樂(lè)廳、大阪交響樂(lè)廳和柏林愛(ài)樂(lè)音樂(lè)廳等世界著名音樂(lè)廳的舞臺(tái)上。1989年李堅(jiān)作為第一位中國(guó)大陸的音樂(lè)家到臺(tái)灣旅行演奏，成為了當(dāng)時(shí)報(bào)紙、電視臺(tái)的頭版、頭條新聞。

李堅(jiān)同時(shí)也是一位活躍的室內(nèi)樂(lè)演奏家。他的室內(nèi)樂(lè)演奏伙伴包括馬友友、林昭亮、安妮·秋子·梅耶斯和竹澤恭子等著名藝術(shù)家。他在中國(guó)現(xiàn)代作曲與表演大賽上獲得首獎(jiǎng)，是紐約音樂(lè)家基金會(huì)獎(jiǎng)金多屆蟬聯(lián)得主, 曾獲取美國(guó)菲茲多拉奇獎(jiǎng)，李堅(jiān)還曾以最年輕藝術(shù)家的身份在歡迎美國(guó)總統(tǒng)卡特的盛大儀式上演奏。作為一直傾心于室內(nèi)樂(lè)演奏的鋼琴家，2020年開(kāi)始他在上海組織舉辦了“私享室內(nèi)音樂(lè)沙龍”系列，并于2021年秋在上海外灘原新天安堂正式開(kāi)啟了全面面向公眾的《不止空間音樂(lè)季》。李堅(jiān)不僅作為演奏家，并且親自著手于音樂(lè)會(huì)節(jié)目的設(shè)計(jì)和樂(lè)曲的改編，讓這個(gè)沉寂百年的建筑重獲新生。這一項(xiàng)目也受到了廣大聽(tīng)眾的喜愛(ài)以及政府和眾多媒體的關(guān)注。

出于他對(duì)歌劇的愛(ài)好，李堅(jiān)擔(dān)任過(guò)美國(guó)新澤西州州立歌劇院指揮。他曾經(jīng)執(zhí)棒指揮了多部世界著名歌劇，包括威爾第的《阿依達(dá)》和《麥克白特》，喬爾達(dá)諾的《安德烈·謝尼耶》，普契尼的《蝴蝶夫人》，馬斯卡尼的《鄉(xiāng)村騎士》和萊昂卡瓦洛的《丑角》等。2000年底李堅(jiān)參與創(chuàng)作了超大型景觀(guān)歌劇——威爾第的《阿依達(dá)》，在上海八萬(wàn)人體育場(chǎng)成功上演。隨后在2002—2008年間擔(dān)任中國(guó)湖南交響樂(lè)團(tuán)藝術(shù)總監(jiān)。多年以來(lái)，李堅(jiān)指揮過(guò)的樂(lè)團(tuán)有：美國(guó)紐約圣路克斯交響樂(lè)團(tuán)、日本中央愛(ài)知交響樂(lè)團(tuán)、羅馬尼亞廣播交響樂(lè)團(tuán)，以及中國(guó)各大知名交響樂(lè)團(tuán)。2003年他參與英國(guó)皇家愛(ài)樂(lè)樂(lè)團(tuán)在北京人民大會(huì)堂新年音樂(lè)會(huì)的制作和演出。他還作為指揮率領(lǐng)羅馬尼亞廣播交響樂(lè)團(tuán)在亞洲巡演。2017年李堅(jiān)指揮巴黎索邦大學(xué)管弦樂(lè)團(tuán)在法國(guó)和中國(guó)的巡演，在上海大劇院等地演出貝多芬的《第九交響樂(lè)》。    

李堅(jiān)自1995年到2001年任教于美國(guó)母?？碌偎挂魳?lè)學(xué)院，2009年至2019年在中國(guó)母校上海音樂(lè)學(xué)院擔(dān)任鋼琴系主任和教授，并被上海市授予“東方學(xué)者”的光榮稱(chēng)號(hào)。2019年成為上海視覺(jué)藝術(shù)學(xué)院特聘教授。他也在多個(gè)國(guó)際頂級(jí)的鋼琴比賽中擔(dān)任評(píng)委，其中包括比利時(shí)伊麗莎白女王國(guó)際鋼琴比賽、意大利布索尼國(guó)際鋼琴比賽、西班牙桑坦德國(guó)際鋼琴比賽、摩納哥鋼琴大師國(guó)際比賽、羅馬尼亞布加勒斯特國(guó)際鋼琴比賽、日本濱松國(guó)際鋼琴比賽、挪威世界之最國(guó)家鋼琴比賽、韓國(guó)ISANGYUN國(guó)際鋼琴比賽、中國(guó)國(guó)際鋼琴比賽、上海國(guó)際鋼琴比賽、深圳國(guó)際鋼琴協(xié)奏曲比賽等。

近年樂(lè)季的亮點(diǎn)包括，自2019年貝多芬誕辰250周年開(kāi)始了“自由真我”32首鋼琴奏鳴曲全集系列音樂(lè)會(huì)的全國(guó)巡演。2023年上半年，李堅(jiān)分別攜手上海交響樂(lè)團(tuán)、廣州交響樂(lè)團(tuán)、長(zhǎng)沙交響樂(lè)團(tuán)演繹全場(chǎng)莫扎特作品并同時(shí)擔(dān)任指揮和鋼琴獨(dú)奏，獲得業(yè)內(nèi)的極高評(píng)價(jià)。2024年9月起，李堅(jiān)「莫扎特27首鋼琴協(xié)奏曲全集計(jì)劃」開(kāi)啟，計(jì)劃于2024/25、2025/26兩個(gè)樂(lè)季中完成27首協(xié)奏曲。2024/25樂(lè)季，李堅(jiān)將攜手長(zhǎng)榮交響樂(lè)團(tuán)、寧波交響樂(lè)團(tuán)、中國(guó)愛(ài)樂(lè)樂(lè)團(tuán)、上海交響樂(lè)團(tuán)、廣州交響樂(lè)團(tuán)、貴陽(yáng)交響樂(lè)團(tuán)、成都交響樂(lè)團(tuán)完成首輪14首鋼琴協(xié)奏曲的演繹。

李堅(jiān)為EMI、BMG、Audiofon和EliteMusic等唱片公司錄制發(fā)行了多張專(zhuān)輯。在近期內(nèi)的計(jì)劃包括了錄制全套貝多芬32首鋼琴奏鳴曲、法國(guó)印象派作品專(zhuān)輯等。

Li Jian, Pianist & Conductor

Li Jian is a renowned pianist and conductor. He is also the Vice President of the Piano Society of the Chinese Musicians Association and Artistic Director of “Spaceless Chamber Series”.

Born into a musical family in Shanghai, Li Jian began his music studies at age five, studying piano with Hong Teng, and violin with his mother, the noted violinist Yu Lina. He later continued his piano study with Hong Teng at the middle school of the Shanghai Conservatory of Music.

At 16, Li Jian was the youngest competitor and Grand Prize Winner in the Marguerite Long - Jacques Thibaud International Piano Competition in Paris - an honor which led to the invitation from the French Government and the Samson Fran?ois Foundation for him to study at the Conservatoire National Supérieur de Musique et de Danse de Paris, with Pierre Sancan, then Li started his performing career in Europe. Praised by Le Monde, “He playing was as delicate as it was passionate, and his enticing tone-color gave full justice to his incomparable musical talents.” The documentary about Li Jian and famous violinist Cho-Liang Lin, produced by TV MAN UNION, was awarded as the Documentary of the Year of 1983 in Japan.

In 1985, Li Jian studied at the Curtis Institute of Music, with the legendary Mieczyslaw Horszowski, and praised by Horszowski as “a solo performer facing a brilliant career”; praised by Rudolf Serkin as “a brilliant virtuoso and apparently in complete control of the instrument” of “his extraordinary qualities as a pianist”.

In 1987, Li Jian toured with China National Symphony Orchestra in 30 cities of United States. His artistry was acclaimed by audiences and the renowned violinist Issac Stern. Hailed by New York Times “The most fascinating meeting of East and West came in Ravel’s Concerto in G with the young pianist Li Jian... What an opportunity to learn it was - this remote and strangely beautiful performance bringing from a great distance fresh new reflection.” Li Jian’s solo engagements have included appearances with the Berlin Radio Symphony, Royal Philharmonic Orchestra, the BBC Concert Orchestra, Orchestre national de France, Atlanta Symphony Orchestra, Hong Kong Philharmonic Orchestra, Singapore Symphony Orchestra, China Philharmonic Orchestra, Shanghai Symphony Orchestra, Beijing Symphony Orchestra, Guangzhou Symphony Orchestra.

As a recitalist, he has performed in such prestigious venues as Avery Fisher Hall, Alice Tully Hall and Carnegie Hall in New York, the Kennedy Center in Washington D.C., Orchestra Hall in Chicago, Ambassador Auditorium in Los Angeles, the Musikverein in Vienna, the Theatre des Champs-Elysées in Paris, Suntory Hall in Tokyo, Symphony Hall in Osaka and Berlin Philharmonic Hall. In 1989, as the first musician from Mainland, Li Jian visited Taiwan to perform, which became the headline news of newspapers and TV stations.

Sought after also as an active chamber musician, Li Jian has shared the stage with numerous artists. Collaborative highlights included performances with Yo-Yo Ma, Cho-Liang Lin, Anne Akiko Meyers, and Kyoko Takezawa, among others. He won the first prize in the China Composition and Performance Competition, and is a multiple awards winner of the Musicians Emergency Fund of New York. Li Jian played as the youngest artist at a grand ceremony welcoming the then US President Jimmy Carter. As a pianist who has always been devoted to chamber music, he has organized a series of “Private Chamber Music Salons” in Shanghai starting from 2020, and “Spaceless Chamber Series” for public since 2021 at Shanghai New Union Church on the Bund. Li Jian not only performs regularly in these series, but also devotes to the programming of the series and arranging the music. This project is highly acclaimed by audiences and media.

As conductor, Li Jian was Artistic Director and Conductor of the Hunan Symphony Orchestra of China from 2002 to 2008, after being associate conductor of the New Jersey State Opera in America from 1999 to 2002. His repertoires include Aida, Macbett, Andrea Chénier, Madame Butterfly, Cavalleria Rusticana, Pagliacci and etc. He was associate conductor of the 2000 production of Verdi’s “Aida” in Shanghai Stadium, which was attended by over 100,000 audiences. Over the years Li Jian has conducted various orchestras, such as the Orchestra of St. Luke’s of New York, the Central Aichi Symphony Orchestra of Japan, the Romanian Radio Symphony Orchestra, as well as many major orchestras in China. He was chief conductor of the Romanian National Radio Symphony Orchestra on their extensive tour of Asia.  In 2017,  Li Jian toured China with Ch?ur & Orchestre Sorbonne Université de Paris, conducting Beethoven’s Symphony No.9, in venues such as the Shanghai Grand Theater.

In addition to his active performing, Li Jian has served on the faculty of the Curtis Institute of Music from 1995 to 2001. From 2009 to 2018, he was Director and Professor of Piano Department of Shanghai Conservatory of Music. He has been the Distinguished Professor of Shanghai Institute of Visual Arts since 2019. Li Jian has also served as a jury member of the Queen Elisabeth International Piano Competition, the Busoni International Piano Competition, the Santander International Piano Competition, the Hamamatsu International Piano Competition, the China International Piano Competition, the Shanghai International Piano Competition, and the Top of the World International Piano Competition.

The highlights of recent seasons include: Since 2019, he started to tour Beethoven’s Thirty-Two Piano Sonatas in China; in 2023, Li Jian collaborated with Shanghai Symphony, Guangzhou Symphony and Changsha Symphony as both conductor and piano soloist and performed Mozart’s Piano Concertos which received great reviews from music critics; since September 2024, Li Jian starts his enormous  plan of the complete cycle of Mozart’s 27 Piano Concertos within 2024/25 and 2025/26 seasons, among which 14 concertos will be accomplished in 2024/25 season with Evergreen Symphony, Ningbo Symphony, China Philharmonic, Shanghai Symphony, Guangzhou Symphony, Guiyang Symphony and  Chengdu Symphony and more to come.

Li Jian has made more than a dozen of albums for various recording labels such as EMI, BMG, Audiofon, and Elite Music. His future recording plan includes Beethoven’s Thirty-Two Piano Sonatas and French impressionist works among others.

Press Reviews

媒體評(píng)論

He is indeed a brilliant virtuoso and apparently in complete control of the instrument. I am aware of his extra ordinary qualities as a pianist.

他是一個(gè)十足的技巧大師，對(duì)樂(lè)器的駕馭可謂完美。我感受到一個(gè)真正鋼琴家的品質(zhì)。

Rudolf Serkin

奧地利鋼琴大師魯?shù)婪颉と麪柦?/p>

In my estimation he faces a brilliant career as a solo performer.

我可以預(yù)見(jiàn)他正在走向一個(gè)鋼琴家的光輝前程。

Mieczyslaw Horszowski

波蘭鋼琴家米奇斯瓦夫·霍素夫斯基

He playing was as delicate as it was passionate, and his enticing tone-color gave full justice to his incomparable musical talents.

他的演奏優(yōu)雅精致且蘊(yùn)含激情，迷人的音色源于無(wú)與倫比的音樂(lè)才華。

Le Monde

法國(guó)《世界報(bào)》

The most fascinating meeting of East and West came in Ravel’s Concerto in G with the young pianist Li Jian…What an opportunity to learn it was - this remote and strangely beautiful performance bringing from a great distance fresh new reflection.

鋼琴家李堅(jiān)的拉威爾G大調(diào)協(xié)奏曲是東西方文明最璀璨的碰撞……這陌生而又無(wú)比驚艷的樂(lè)曲在遙遠(yuǎn)的彼岸新穎的倒影。

The New York Times

《紐約時(shí)報(bào)》

Li Jian played with real panache.

李堅(jiān)的表演霸氣十足。

Chicago Tribune

《芝加哥論壇報(bào)》

Soloist Li Jian never allowed the piano line to disppear, however, making sure its sharp contours were clear even amid the fullest orchestral accompaniment. Phrases where volume shifted from loud drama to quiet serenity were well-shaped, with pauses more like suspended breath than silence.

李堅(jiān)的獨(dú)奏從來(lái)不會(huì)被淹沒(méi)，即便是在交響樂(lè)的齊奏中，那棱角鮮明的旋律也會(huì)無(wú)比清晰。樂(lè)句從戲劇性的嘹亮過(guò)渡到平和的靜怡，就算是中間的停頓，也像是呼吸的延續(xù)，而非沉默。

Chicago Sun-Times

《芝加哥太陽(yáng)時(shí)報(bào)》

Sober, gentle and unusually linear reading of Mozart's Fantasy in D minor was followed by a performance of Beethoven's Sonata in A flat, Op.110, that expertly melded the work's mixture of easy lyricism and cosmic abstraction... this was thoughtful, intensely musical playing.

緊接著清晰、溫柔、線(xiàn)條流暢的莫扎特D小調(diào)幻想曲，是貝多芬的降A(chǔ)大調(diào)奏鳴曲，Op.110。這是多么自信的排序！從接地氣的清新抒情轉(zhuǎn)接到宇宙般的恢弘……地道而震撼的表演。

Gramophone

《留聲機(jī)》

Video Links

視頻鏈接

Beethoven: Sonata No.26 in E flat, Op.81a “Les Adieux”

Piano: Li Jian

貝多芬: 降E大調(diào)第二十六號(hào)鋼琴奏鳴曲，作品81a - “告別”

鋼琴：李堅(jiān)

https://v.qq.com/x/page/l0883sl0bxt.html

Beethoven: Sonata No.17 in D minor, Op.31 No.2

Piano: Li Jian

貝多芬: D小調(diào)第十七號(hào)鋼琴奏鳴曲，作品31之2 - “暴風(fēng)雨”

鋼琴：李堅(jiān)

https://v.qq.com/x/page/z08834yyrap.html

Schumann: Traumerei

Piano: Li Jian

舒曼：夢(mèng)幻曲

鋼琴：李堅(jiān)

https://v.qq.com/x/page/d0662d595vc.html

Mozart: Die Entführung aus dem Serail, K.384: Overture

Conductor: Li Jian, Shanghai Symphony Orchestra

莫扎特：后宮誘逃，K.384：序曲

指揮：李堅(jiān)，上海交響樂(lè)團(tuán)

https://v.qq.com/x/page/o351409e3cj.html

Mozart: Piano Concerto No.27 in B-flat Major, K.595

Conductor & Piano: Li Jian, Shanghai Symphony Orchestra

莫扎特：降B大調(diào)第二十七鋼琴協(xié)奏曲，K.595

指揮&鋼琴：李堅(jiān)，上海交響樂(lè)團(tuán)

https://v.qq.com/x/page/x3514rz9fnc.html

Chopin: Waltz No.19 in A Minor, B.150

Piano: Li Jian

肖邦：A小調(diào)第十九圓舞曲，B.150

鋼琴：李堅(jiān)

https://v.qq.com/x/page/s35141vb1u6.html

Mozart: Die Entführung aus dem Serail, K.384: Overture

Conductor: Li Jian, Guangzhou Symphony Orchestra

莫扎特：后宮誘逃，K.384：序曲

指揮：李堅(jiān)，廣州交響樂(lè)團(tuán)

https://v.qq.com/x/page/f3516ndx4aj.html

Mozart: Piano Concerto No.27 in B-flat Major, K.595

Conductor & Piano: Li Jian, Guangzhou Symphony Orchestra

莫扎特：降B大調(diào)第二十七鋼琴協(xié)奏曲，K.595

指揮&鋼琴：李堅(jiān)，廣州交響樂(lè)團(tuán)